Thursday, May 10, 2007

In 1207 Briggate was split into burgage plots; a monetary rental system developed Leeds as a commercial centre. These plots are still evident in the street layout but are considered too small for modern retail.

Monday, April 30, 2007

images from pip!






bins - how much rubbish can the weekend generate?





holy trinity window - religious imagery left in the dark/secret spaces





late night maniquins - in the window for a reason? made me think of the red light district in amsterdam





selfridges - loved all the rubbish and wrapping materials piled behind the door.


light - flower, looks even better when the lights go on - like the juxtoposition between revealing/ diluting the (natural) dark and the artificial imagery of a aluminium flower.

phil
x

phils pics

hullo all,

so here's some pictures, taken of ls1,2 and 3 under the cover of darkness... unfortunately, i have no deep reasoning for them, they were images that caught my imagination.

loving your research amelia/eva/luce - am quite jealous of all the interesting public art seminars you all seem to have been on! some really interesting stuff amelia about the plotting of the town - sorry i haven't had time to do any research...it'd be great to have some more time on this...

right, trying to add images, but the blog wont let me, so i'll sign up to a google acc and make another attempt!

xx

Friday, April 27, 2007

I agree!
So much to say I'm abandoning the 5 words for now.

Amelia - I was really struck by two of your images - SHOPS and PLEASURE TIME.

Eva - yes the layering of materials. No consistency - this lies in the planning policies of Leeds, or lack of them.

I met John Thorpe the civic architect for Leeds on Tuesday. He's spent the last 4 years drawing Leeds city centre, and trying to develop a strategy for the development of the city beyond a planning policy that is based on land use only.

I think Amelia may have hit on something with the burgage plot idea - this reminds me strongly of John's drawings of Leeds today, and how it can be seen as a mosaic of areas. Also did you know that Burmantofts comes from the burger man's tofts? or something like that - Eva do you remember that from the research we did for the walk?

Also it is good in terms of postcode relationship.

Guess the problem is how to do it in such a small space.

I don't have any pictures just now. When do we need to finish the design by?

Wednesday, April 25, 2007

City centre ponderings








What has always astonished me about the city centre, as Amelia noted, is the amount of layering. In which ever direction you look, the skyline is made up of layers of new and old, red brick and glass, ornate lettering patterns and flush mirrored fronts. There is little coherency throughout Leeds City Centre and things seem to pop up in a slightly hap-hazard fashion, so wherever you look you see patchworks of overlapping materials, shapes and designs.



I am also always struck by the amount on clocks there are in the city centre....! Here are a few examples - the post office one has an interesting reflection, reflecting back into the city behind.


Eva



Tuesday, April 24, 2007

wordsworth

5 words...(and phrases)

cranes
bubble peddlars
festish of commerce
hidden uniformity
rolling down towards the river

xxx images should follow soon, if i get to click around town in daylight!

Monday, April 23, 2007

Pictures

Sorry my pictures are all a bit random and not great. I was not very inspired! I did have one idea that I think is better than the below. The idea is to take a picture of a bus stop queue at work home time. Unfortunately I wasn't in Leeds at the right time. It isn't very Leeds specific but it is city centre specific and points to the fact that people go home out of the centre. Fits in with some of the project ideas.

The below images mainly ref. to the idea of the city as a place of commerce (perhaps a bit obviously?!). The bottom one is the exception and is supposed to illustrate some of the building materials that formed my 'words' in previous post. Also attempting to represent the historical alongside the new in some of the images.